Inspired Acoustics ⋆ OSI os-organum

Orgelsamples von inspired Acoustics

Als besonderen Service liefern wir ihnen
die Samplesets auf einem Leihmedium.
Somit können sie ohne lange Downloadzeiten direkt loslegen.

Brandneu !!

Die neue “ PAB 3.0 “ Königsklasse Sampleset

92 Register, 5 Manuale und Pedal für Hauptwerk 4

Das Set wurde komplett überarbeitet. Man hört nun förmlich die Pfeifen Atmen.

Sensationell klarer Sound mit einer Klangvielfalt, die ihres Gleichen sucht.

Es gibt die neue Konzerthallenakustik und eine Version mit einem original aufgenomenem Kathedralenhall im Set.

Das Instrument ist im positiven Sinne nicht wieder zu erkennen

und eröffnet völlig neue Klangwelten.

Viele neue praktische Features wie :

Voicingseite auf der sie mit wenigen Handgriffen einzelne Register oder Werke verstimmen, die Mensur verändern, den Winddruck anpassen und somit die Orgel ganz schnell mehr Barock, Symphonisch oder romantisch intonieren. 8 Presets sind zur Speicherung solcher Intonationen vorhanden.

PAB7

Einfachansicht mit rudimentären Schaltflächen. Sie schaft eine Übersichtliche und sofort erfassbare Ansicht aller Register der Orgel entweder auf einer Seite für Einmonitorbetrieb oder auf 2 Monitorseiten verteilt.

PAB1 PAB5

Die bisher bekannten Ansichten sind selbstverständlich erhalten geblieben.

PAB3 PAB6

Günstige Upgrade Angebote von früheren auf die neue Version ab sofort erhältlich.
Medium Edition mit 46 Registern ist ebenfalls in der neuen Qualität erhältlich.

Komplettpreis PAB Gravissimo 3.0 € 1058,-

Komplettpreis PAB Pro 3.0 € 737,-

Preis für Medium Edition 3.0 € 320,-

Upgrade ältere PAB Pro zu PAB Pro 3.0 € 109,-

Upgrade ältere Medium Editionen zu PAB Pro 3.0 € 269,-

Die Riesen Orgel „MTH Melbourne Townhall“ mit 175

hervorragend aufgezeichneten Registern.

Damit die Aufnahmen möglich waren , wurden extra neue, leisere Windmaschinen für die Orgel verbaut.

SPECIFICATION OF THE MELBOURNE TOWN HALL PIPE ORGAN SAMPLES PROFESSIONAL EDITION

Pedal	I. Choir	II. Great Unenclosed
196 Gravissima [Tibia] 64′	77 Contra Salicional 16′	1 Tibia Profunda 16′	Couplers: almost every possible coupler, including 4′ and 16′ couplers and Unison off Swellboxes: all division enclosed with 4 assignable swell pedals in the virtual version Tremulants: on divisions I-V Crescendo wheel: 37-stage, 4 programs Gray – Yet to be built, not yet available.
197 Double Open Diapason 32′	78 Horn Diapason 8′	2 Double Open Diapason 16′
198 Tibia Profunda [Great] 32′	79 Corno Flute 8′	3 Tibia Plena 8′
199 Contra Bourdon Acoustic 32′	80 Lieblich Gedeckt 8′	4 Diapason Phonon 8′
200 Contra Violone [Swell] 32′	81 Salicional 8′	5 Open Diapason I 8′
201 Great Bass 16′	82 Voix Celeste 8′	6 Harmonic Flute 8′
202 Open Diapason [Go Dbl. Open 16] 16′	83 Flute Celeste II 8′	7 Tibia Octave 4′
203 Tibia Profunda [Great] 16′	84 Gemshorn 4′	8 Octave Phonon 4′
204 Contra Bass [Go Dbl. Open] 16′	85 Lieblich Flöte 4′	9 Octave Diapason 4′
205 Geigen [Great] 16′	86 Echo Viola 4′	10 Octave Quint 3′
206 Violone [Swell] 16′	87 Celestina 4′	11 Super Octave 2′
207 String Bass [Orchestral] 16′	88 Harmonic Piccolo 2′	12 Mixture IV 1-1/3′
208 Bourdon 16′	89 Dulciana Cornet III 2-2/3′	II. Great Enclosed
209 Lieblich Bourdon [Swell] 16′	90 Bass Cremona 16′	13 Contra Geigen 16′
210 Contra Salicional [Choir] 16′	91 Closed Horn 8′	14 Open Diapason II 8′
211 Quint [Tibia] 10-2/3′	92 Cor Anglais 8′	15 Gamba Major 8′
212 Flute Major [GreatBass] 8′	93 Cremona 8′	16 Hohl Flöte 8′
213 Principal [Diap.] 8′	94 Tremulant	17 Rohr Flöte 8′
214 Prestant 8′	95 Tuba Mirabilis [Fanfare] 8′	18 Principal 4′
215 Geigen Principal [Great 16] 8′	96 Tuba Sonora [Fanfare] 8′	19 Wald Flöte 4′
216 Cello [Swell 16] 8′	97 Harp	20 Stopped Quint 3′
217 Bass Flute 8′	98 Side Drum Roll	21 Fifteenth 2′
218 Stopped Flute [Bdn.] 8′	99 Octave	22 Tierce 1-3/5′
219 Lieblich Bourdon [Swell 16] 8′	100 Sub Octave	23 Chorus Mixture V 2′
220 Super Octave [Diap.] 4′	101 Unison Off	24 Grand Fourniture VI-VII 2-2/3′
221 Fifteenth 4′	102 Enclosed Great Flues to Choir	25 Harp [Choir]
222 Open Flute [Bass Flute] 4′	103 Great Reeds to Choir	26 Carillon [Solo]
223 Fourniture IV [Great] 2-2/3′		27 Tremulant
224 Grand Fourniture VI [Great] 5-1/3′		28 Contra Trombone 32′
225 Contra Fagotto [Great] 32′		29 Trombone 16′
226 Bassoon [Swell] 16′		30 Fagotto 16′
227 Schalmei [Solo] 16′		31 Tromba 8′
228 Bassoon [Swell 16] 8′		32 Harmonic Trumpet 8′
229 Double Ophicleide 32′		33 Clarion 4′
230 Tuba [Solo] 16′		34 Trumpet Victoria[Fanfare] 8′
231 Ophicleide 16′		35 Octave
232 Posaune [Solo] 16′		36 Sub Octave
233 Trombone [Great] 16′		37 Unison Off
234 Tuba [Solo] 8′
235 Trumpet 8′
236 Clarion [Tmpt.] 4′
237 Diaphone 32′
238 Octave Diaphone 16′
239 Tuba Mirabilis [Fanfare] 8′
240 Trumpet Victoria [Fanfare] 8′
241 Pedal Off
242 Pedal Divide
243 Bass Drum Tap
244 Bass Drum Roll
245 Side Drum Tap
246 Side Drum Roll

III. Swell	IV. Solo	V. Orchestral
38 Contra Violone 32′	104 Quintaton 16′	148 Contra Viola 16’
39 Violone 16′	105 Harmonic Claribel 8′	149 Tibia Clausa 8’
40 Bourdon 16′	106 Flute Celeste [tenor C] 8′	150 Orchestral Strings II 8’
41 Diapason Phonon 8′	107 Violoncello 8′	151 Viol d‘ Orchestre I-II 8′
42 Geigen Principal 8′	108 Cello Celeste 8′	152 String Celestes II 8′
43 Gamba 8′	109 Salicional 8′	153 Octave Strings II 4′
44 Gamba Celeste 8′	110 Concert Flute Harmonique 4′	154 Octave Viola 4′
45 Flauto Traverso 8′	111 Nasard Harmonique 3′	155 Tiercina 3-1/5′
46 Bourdon 8′	112 Harmonic Piccolo 2′	156 Quint Viola 3′
47 Cor de Nuit 8′	113 Tierce 1-3/5′	157 Violette 2′
48 Æoline 8′	114 Schalmei 16′	158 Tremulant
49 Vox Angelica [bass F] 8′	115 French Horn 8′	159 Side Drum Tap
50 Principal 4′	116 Corno di Bassetto 8′	160 Side Drum Roll
51 Octave Gamba 4′	117 Orchestral Oboe 8′	161 Octave
52 Harmonic Flute 4′	118 Clarinet 8′	162 Sub Octave
53 Rohr Flute 4′	119 Tremulant	163 Unison Off
54 Harmonic Quint 3′	120 Tuba 8′	164 Orchestral on Great
55 Piccolo 2′	121 Glockenspiel [F-18]	165 Orchestral on Swell
56 Salicetina 2′	122 Carillon [A-22]	166 Orchestral on Choir
57 Tierce 1-3/5′	123 Carillon Mute	167 Orchestral on Solo
58 Chorus Mixture V 2′	124 Side Drum Tap
59 Grave Mixture III 2′	125 Octave	VIII. Echo
60 Sharp Mixture III 1′	126 Sub Octave	168 Lieblich Gedeckt 16′
61 Vox Humana 8′	127 Unison Off	169 Lieblich Gedeckt 8′
62 Vox Humana Tremulant		170 Lieblich Flöte 4′
63 Vox Humana Mute	VI. Bombarde	171 Geigen Principal 8′
64 Bassoon 16′	128 Grand Diapason 8′	172 Viola 4′
65 Cornopean 8′	129 Principal 4′	173 Tibia Mollis 4′
66 Oboe 8′	130 Grave Mixture V-VI 2-2/3′	174 Vox Mystica 8′
67 Tremulant	131 Fourniture IV-V 2′	175 Musette 8′
69 Clarin claro 8′	132 Grand Chorus VI-VIII 2′	176 Tremulant
70 Clarin brillante 4′	133 Contra Posaune 16′	177 Octave
68 Double Trumpet 16′	134 Posaune 8′	178 Sub Octave
69 Horn 8′	135 Clarion 4′	179 Unison Off
70 Orchestral Trumpet 8′	136 Bombarde off Solo	180 Echo on Choir
71 Clarion 4′	137 Bombarde on Great	181 Echo on Solo
72 Clarino Trumpet 2-8′	138 Bombarde on Swell	182 Viole Sourdine 8′
73 Trumpet Victoria [Fanfare] 8′	139 Bombarde on Choir	183 Voix Celestes 8′
74 Octave		184 Zauber Flöte 8′
75 Sub Octave	VII. Fanfare	185 Unda Maris 8′
76 Unison Off	140 Tuba Sonora 8′	186 Harmonia Ætheria IV
	141 Octave Sonora 4′	187 Post Horn 8′
	142 Tuba Mirabilis 8′	188 Harp
	143 Sub Trumpet 16′	189 Octave
	144 Trumpet Victoria 8′	190 Sub Octave
	145 Tuba [Enclosed in Solo] 16′	191 Unison Off
	146 Tuba [Enclosed in Solo] 8′	192 Resultant 32′
	147 Tuba 4′	193 Violone 16′
		194 Bourdon 16′
		195 Flute [Bass] 8′

Professional Edition (Komplette Orgel ) € 1.069,-

Medium Edition 102 Register € 736,-

Essential Edition 54 Register € 260,-

Sie sollten ein leistungsfähiges Rechnersystem mit mind. 48 GB RAM besitzen !!

hier gibt es Infos der Stadt Melbourne zu ihrer Stadthallen Orgel:

https://whatson.melbourne.vic.gov.au/Whatson/organ/Pages/organ.aspx

Neu ! Überarbeitete Version mit super Raumakustik.

Scorze neoklassizistisches Orgel Sample

Scorze2 scorze3 scorze4

Scorze Pipe Organ Samples is a neoclassicist virtual pipe organ chromatically sampled stop-by-stop from Saint Benedict Church in Scorze, Venice, Italy. The organ was built by the Pugina brothers in 1929 with parts from the original 1808 Gaetano Callido organ, faithfully restored by Zanin in 2010, and has 20 stops on 2 manuals and a pedalboard.

The Scorze Pipe Organ Samples contributes financially to the upkeep of the original instrumen

Personal Edition Download € 199,-

Steinmeier Weinheim 2.0

Neue Version 2.0 mit sensationeller Raumakustik, Voicing Seite und neuen Bedienansichten.

Steinmeier Sampleset Weinheim 2.0 komplett € 379,- Download

Pipe Organ Samples is a symphonic virtual pipe organ chromatically sampled stop-by-stop from Saint Laurentius Church Weinheim, Germany. The organ was built by Steinmeyer in 1950, and has 43 speaking stops on 3 manuals and a pedalboard.

Whm4

Besides its photo-realistic modeled and full-featured console, the Weinheim Pipe Organ Samples contributes financially to the upkeep of the original instrument.

Whm2

Pedal C–f1 (30)	I. Rückpositiv C–g3 (56)	II. Hauptwerk C–g3 (56)	III. Schwellwerk C–g3 (56)	Couplers
4. Prinzipalbass 16′	17. Lieblich Gedeckt 8′	32. Gedecktpommer 16′	46. Quintadena 16′	Rückpositiv/Pedal
5. Subbass 16′	18. Quintade 8′	33. Prinzipal 8′	47. Rohrflöte 8′	Hauptwerk/Pedal
6. Zartbass 16′	19. Prästant 4′	34. Gedeckt 8′	48. Salicional 8′	Schwellwerk/Pedal
7. Oktavbass 8′	20. Rohrflöte 4′	35. Gemshorn 8′	49. Prinzipalflöte 4′	Schwellwerk/Rückpositiv
8. Gedecktbass 8′	21. Nachthorn 2′	36. Oktav 4′	50. Koppelflöte 4′	Rückpositiv/Hauptwerk
9. Choralbass 4′	22. Larigot 1 1/3′	37. Blockflöte 4′	51. Nasat 2 2/3′	Schwellwerk/Hauptwerk
10. Quintbass 10 2/3′	23. Sifflöte 1′	38. Oktav 2′	52. Weitprinzipal 2′	Schwellwerk/Hauptwerk 16′
11. Hintersatz IV 2 2/3′	24. Sesquialter II	39. Cornet V 8′	53. Terz 1 3/5′	Schwellwerk/Hauptwerk 4′
12. Bombarde 16′	25. Cymbel IV	40. Mixtur IV 1 1/3′	54. Scharf IV 1′	Schwellwerk/Schwellwerk 16′
13. Trompete 8′	26. Dulcian 16′	41. Trompete 8′	55. Trompette harm. 8′	Schwellwerk/Schwellwerk 4′
14. Trompete 4′	27. Cromorne 8′	42. Cymbelstern	56. Clarine 4′
	15. Tremulant		43. Tremulant

Voicing Tools, Einstellung von Winddruck, Mensur, Stimmung für ganze Werke oder Einzelregister möglich.

Whm3

Youtube Links:

Heppenheim Dom der Bergstraße Samplesets

Pedal C–f1 (30)	I. Hauptwerk C–g3 (56)	II. Schwellwerk C–g3 (56)	III. Rückpositiv C–g3 (56)	Couplers
6 Prinzipalbass 16′	20 Prinzipal 16′	33 Prinzipal 8′	46 Quintade 8′	Hauptwerk/Pedal
10 Subbass 16′	19 Prinzipal 8′	36 Rohrflöte 8′	47 Holzgedeckt 8′	Schwellwerk/Pedal
4 Quintbass 10 2/3′	23 Bourdon 8′	34 Salicional 8′	45 Prinzipal 4′	Rückpositiv/Pedal
5 Holzoktave 8′	24 Holzflöte 8′	35 Unda maris 8′	48 Rohrflöte 4′	Schwellwerk/Hauptwerk
11 Rohrflöte 8′	18 Oktave 4′	32 Prinzipal 4′	44 Waldflöte 2′	Rückpositiv/Hauptwerk
3 Prinzipal 4′	25 Spitzflöte 4′	37 Spillpfeife 4′	49 Quinte 1 1/3′
12 Gedecktflöte 4′	17 Quinte 2 2/3′	38 Nasard 2 2/3′	50 Sesquialter III
2 Posaune 16′	16 Doublette 2′	39 Blockflöte 2′	43 Scharf 2/3′ III-IV
1 Trompete 8′	15 Mixture 2′ III-IV	40 Terz 1 3/5′	42 Krummhorn 8′
	14 Zimbel 1/2′ II	31 Mixtur 1 1/3′ III	41 Tremulant
	13 Trompete 8′	30 Bombarde 16′
		29 Trompete harm. 8′
		28 Oboe 8′
		27 Clairon 4′
		26 Tremulant

Heppenheim komplett € 349,- Download

Heppenheim Pipe Organ Samples is a symphonic virtual pipe organ chromatically sampled stop-by-stop from Saint Peter’s Church Heppenheim, Germany. The organ was built by Wilbrand in 1997. The instrument has 43 stops on 3 manuals and a pedalboard.

Besides its photo-realistic modeled and full-featured console, the Heppenheim Pipe Organ Samples contributes financially to the upkeep of the original instrument.

Scots Rieger II Melbourne

Medium Edition – Download (Scots II)
download 15 GB | 1 computer

Disposition MEDIUM EDITION

Pedal C–g1 (32)	I. Great Organ C–a3 (58)	II. Positive C–a3 (58)	III. Swell C–a3 (58)	Couplers
36. Open Diapason 16′	18. Double Diapason 16′	72. Open Diapason 8′	63. Bourdon 16′	Great/Pedal
43. Bourdon 16′	17. Open Diapason 8′	78. Stopped Diapason 8′	54. Diapason 8′	Positive/Pedal
34. Principal 8′	27. Chimney Flute 8′	73. Principal 4′	57. Viole de Gambe 8′	Swell/Pedal
42. Bass Flute 8′	16. Principal 4′	74. Fifteenth 2′	64. Bourdon 8′	Positive/Great
33. Fifteenth 4′	24. Open Flute 4′	81. Larigot 1 1/3′	55. Principal 4′	Swell/Great
39. Basson 16′	15. Twelfth 2 2/3′	75. Sharp Mixture IV 1′	65. Traversflute 4′	Swell/Positive
38. Trompette 8′	14. Fifteenth 2′	83. Cromorne 8′	66. Nasard 2 2/3′
	13. Mixture major IV 2′	84. Tremulant	67. Octavin 2′
	21. Trompette 8′		68. Tierce 1 3/5′
			56. Plein Jeu V 2 2/3′
			70. Trompette harm. 8′
			60. Hautbois 8′
			61. Voix humaine 8′
			62. Tremulant

Scotts Medium Edition 260,- €

Disposition Personal EDITION

Pedal C–g1 (32)	I. Great Organ C–a3 (58)	II. Positive C–a3 (58)	III. Swell C–a3 (58)	IV. Echo C–a3 (58)
44. Contrabass 32′	18. Double Diapason 16′	72. Open Diapason 8′	63. Bourdon 16′	9. Bourdon 16′
36. Open Diapason 16′	17. Open Diapason 8′	78. Stopped Diapason 8′	54. Diapason 8′	8. Echo Diapason 8′
35. Wood Diapason 16′	27. Chimney Flute 8′	73. Principal 4′	57. Viole de Gambe 8′	6. Salicional 8′
43. Bourdon 16′	25. Gamba 8′	79. Chimney Flute 4′	58. Voix céleste 8′	7. Gedackt 8′
34. Principal 8′	26. Harmonic Flute 8′	80. Sesquialtera 2 2/3′	64. Bourdon 8′	5. Wood Principal 4′
42. Bass Flute 8′	16. Principal 4′	74. Fifteenth 2′	55. Principal 4′	4. Chimney Flute 4′
33. Fifteenth 4′	24. Open Flute 4′	81. Larigot 1 1/3′	65. Traversflute 4′	3. Fifteenth 2′
32. Mixture IV 2 2/3′	15. Twelfth 2 2/3′	75. Sharp Mixture IV 1′	59. Viola 4′	2. Mixture IV 1 1/3′
41. Contrabombarde 32′	14. Fifteenth 2′	82. Trompette 8′	66. Nasard 2 2/3′	1. Trompette royale 8’*
40. Bombarde 16′	13. Mixture major IV 2′	83. Cromorne 8′	67. Octavin 2′	53. Zimbelstern
39. Basson 16′	12. Mixture minor III 1 1/3′	75b. Trompette royale 8’*	68. Tierce 1 3/5′	49. Tremulant
38. Trompette 8′	23. Cornet V 8′	84. Tremulant	56. Plein Jeu V 2 2/3′
37. Clairon 4′	22. Bombarde 16′		69. Basson 16′	Couplers**
	21. Trompette 8′		70. Trompette harm. 8′	Great/Pedal
Echo Pedal C–g1 (32)	20. Clairon 4′		60. Hautbois 8′	Positive/Pedal
45. Bourdon 16′			61. Voix humaine 8′	Swell/Pedal
46. Echo Diapason 8′			71. Clairon harm. 4′	Echo/Pedal
47. Gedackt 8′			62. Tremulant	Positive/Great
48. Wood Principal 4′				Swell/Great
				Echo/Great
			Pistons***	Swell/Positive
			Echo Pi/Ped. Pi	Echo/Positive
			Great Pi/Ped. Pi	Echo/Swell

Personal Edition – Download (Scots II)
download 25 GB | 1 computer

€ 522,00 €

Scots II Pipe Organ Samples is a symphonic virtual pipe organ chromatically sampled stop-by-stop from The Scots‘ Church Melbourne, Australia. The organ was built by Rieger in 1999 and is one of the finest instruments of the continent. Due to its wooden structures the church has relatively dry acoustics providing a crisp and articulate high-definition pipe sound. The instrument has 64 stops on 4 manuals with two consoles and organ cases.

Besides its photo-realistic modeled and full-featured console, the Scots II Pipe Organ Samples contributes financially to the upkeep of the original instrument.

https://www.youtube.com/watch?v=DXpt7-1CPLA

Kolozsvár Pipe Organ Samples

Personal Edition – Download (Kolozsvar)
download 17.8 GB | 1 computer
225,00 €

Pedal C–f1 (30)	II. Hauptwerk C–f3 (54)	III. Brustwerk C–f3 (54)
1. Violon 16′	18. Bordun 16′	30. Gedackt 8′	Tremulant: I., II., III. Couplers*: Hw to Ped Pos to Ped Bw to Ped Hw to Bw Pos to Hw Bw to Pos Bw to Hw
2. Subbas 16′	19. Principal 8′	31. Gemshorn 4′
3. Principal bas 8′	20. Coppel 8′	32. Flöte 4′
4. Flötbas 8′	21. Octave 4′	33. Hohlflöte 2′
5. Choral bas 4′	22. Spitzflöte 4′	34. Cymbel 2f.
6. Posaune 16′	23. Superoctav 2′	35. Vox humana 8′
7. Trompete 8′	24. Quint 2 2/3′
8. Trompete 4′	25. Quint 1 1/3′
	26. Terz 1 3/5′
I. Rückpositiv C–c3 (49)	27. Sedecima 1′
9. Principal 8′	28. Mixtura 4-5f.
10. Viola di gamba 8′	29. Trompete 8′
11. Coppel 8′
12. Principal octav 4′
13. Flöt minor 4′
14. Superoctav 2′
15. Mixtura 4f.
16. Quint 1 1/3′
17. Krumhorn 8′

Professional Edition Surroundversion – Download (Kolozsvar)
34.8 GB | 1 computer
289,00 €

Kolozsvár Pipe Organ Samples (KOL) is a baroque virtual pipe organ chromatically sampled stop-by-stop. The organ was originally built by Johannes Hahn in 1752 and was restored in 1996. Most of the historic pipework have been reserved in their original condition, and another Hahn organ from the same year was also saved and used as the positive. The St. Michael’s Church is located in Cluj-Napoca (Kolozsvár in Hungarian), Romania, and it is second largest church in Transylvania. Due to its inner properties the church is still relatively dry compared to its size, providing a well balanced church acoustic. The instrument has 35 stops in three organ cases.

Besides its photo-realistic modelled, extended and full-featured console, the Kolozsvár Pipe Organ Samples supports the Dynamic KeyboardMass™ control to provide a realistic playing experience. Adjustable tracker noise levels and an easily adjustable acoustic perspective in the Professional Edition are also supported.

The virtual Kolozsvár Pipe Organ financially supports the original instrument.

Youtube Videos:

https://www.youtube.com/watch?v=a87pGKs1Bsw

https://www.youtube.com/watch?v=4a1I-VAg1-4

https://www.youtube.com/watch?v=rkIRYlPbOXU

https://www.youtube.com/watch?v=hjAeHJ9ZYYk

Esztergom Organ Samples

Collector’s Edition – Download (Esztergom)
download 71.5 GB | 1 computer
719,00 €

SPECIFICATION OF THE ESZTERGOM PIPE ORGAN SAMPLES COLLECTOR’S EDITION

Pedal	I. Unterwerk	II. Hauptwerk
1 Majorbass 32′	19 Gedackt 16′	107 Bourdon 32′	Couplers: almost every possible coupler, including 4′ and 16′ couplers and Unison off Swellboxes: all division enclosed with 3 assignable swell pedals in the virtual version Tremulants: on manuals III and V Crescendo wheel: 61-stage, 4 programs (only in the virtual version) *Shared with stop 126. Black: Featured on the original instrument and on the virtual organ. Orange – Yet to be built, temporarily supplied from other instruments for better playability in the virtual organ; planned to be recorded from the original instrument when it becomes available. Gray – Yet to be built, not yet available.
2 Infrabass 32′	20 Holzprincipal 8′	108 Praestant 16′
3 Principal 16′	21 Gedackt 8′	109 Bourdon 16′
4 Flûte 16′	22 Fugara 8′	110 Principal 8′
5 Kontrabass 16′	23 Quintatön 8′	111 Spitzflöte 8′
6 Subbass 16′	24 Harfpfeife 8′	112 Coppel 8′
7 Bourdon 16′	25 Principal 4′	113 Gamba 8′
8 Salicet 16′	26 Koppelflöte 4′	114 Quintajor 5 1/3′
9 Quint 102/3′	27 Flûte d’amour 4′	115 Octave 4′
10 Grand Cornet IV 10 2/3′	28 Violine 4′	116 Waldflöte 4′
11 Octavbass 8′	29 Nasat 22/3′	117 Rohrflöte 4′
12 Aperta 8′	30 Octave 2′	118 Cornet III 3 1/5′
13 Gedackt 8′	31 Spitzflöte 2′	119 Quint 2 2/3′
14 Violoncello 8′	32 Terz 13/5′	120 Piccolo 2′
15 Rauschbass II 5 1/3′	33 Larigot 11/3′	121 Rauschwerk VIII-X 2′
16 Zink IV 5 1/3′	34 Sifflöte 1′	122 Cimpel III-V 1 1/3′
17 Spitzprincipal 4′	35 Mixtur IV 2′	123 Trompete 16′
18 Tibia 4′	36 Cymbel IV 1/2′	124 Tromba 8′
160 Rauschpfeife III 2 2/3′	37 Cymbelpfeife 1/6′	125 Trompeta imperial 32’*
161 Flöte 2′	38 Spillregal 16′	126 Clarin de batalla 16′
162 Compensum VII 2 2/3′	39 Trichterregal 8′	127 Trompeta real 8′
163 Mixtur IV 2′	40 Vox humana 8′	128 Bajoncillo 4′
164 Bombarde 32′
164b Bombarde 32′ 2^nd row
165 Posaune 32′
166 Bombarde 16′
167 Posaune 16′
168 Dulcian 16′
169 Tromba 8′
170 Clairon 4′

III. Positiv	IV. Oberwerk	V. Schwellwerk
45 Principal 16′	136 Rohrbourdon 16′	77 Bourdon 16′
46 Quintatön 16′	137 Prinzipal 8′	78 Gemshorn 16′
47 Praestant 8′	138 Flûte harmonique 8′	79 Gambe 16′
48 Rohrflöte 8′	139 Gemshorn 8′	80 Prinzipal 8′
49 Trichtergedackt 8′	140 Unda Maris 8′	81 Flûte 8′
50 Salizional 8′	141 Cornet V 8′	82 Bourdon à cheminée 8′
51 Quintatön 8′	142 Nasat 5 1/3′	83 Gambe 8′
52 Octave 4′	143 Octave 4′	84 Voix céleste 8′
53 Blockflöte 4′	144 Holzflöte 4′	85 Cornet VI 8′
54 Gemshorn 4′	145 Terz 31/5′	86 Couleur cornet V 5 1/3′
55 Nasat 2 2/3′	146 Rauschpfeife III 2 2/3′	87 Octave 4′
56 Prinzipal 2′	147 Septime 2 2/7′	88 Flauto 4′
57 Waldflöte 2′	148 Superoctave 2′	89 Flûte octaviante 4′
58 Terz 1 3/5′	149 Blockflöte 2′	90 Dulciane 4′
59 Sifflöte 1 1/3′	150 Nachthorn 1′	91 Nasard 22/3′
60 Septime 1 1/7′	151 Mixtur V-VII 2′	92 Plein jeu III-IV 2 2/3′
61 Octave 1′	152 Acuta IV-VI 2/3′	93 Doublette 2′
62 None 8/9′	153 Colorian IV 4/9′	94 Flûte conique 2′
63 Undecim-tredecim 8/11 + 8/13′	154 Trompete Magna 16′	95 Carillon 1 + 1/2′
64 Scharf IV-V 1 1/3′	155 Trompete 8′	96 Mixtur IV-V 1 1/3′
65 Terzianscharf IV 2/3′	156 Trompete 4′	97 Cymbal IV 1/4′
66 Holzdulzian 16′		98 Bombarde 16′
67 Krummhorn-Schalmey 8′		99 Trompette harmonique 8′
68 Rohrschalmey 4′		100 Hautbois 8′
69 Clarin claro 8′		101 Musette 8′
70 Clarin brillante 4′		102 Clairon 4′

Esztergom Pipe Organ Samples (EGOM) is a symphonic virtual pipe organ chromatically sampled stop-by-stop. This Mooser organ is located in the seat of the Catholic Church in Hungary, the Basilica of the Blessed Virgin Mary Assumed Into Heaven and St Adalbert, in Esztergom. The Esztergom Basilica is the 18th largest cathedral in the world, being 118m long and 49m wide. These robust measures result in unique acoustics of reverberation times longer than 9 seconds in wide-band average.

The still-current recontstruction and extension of the instrument started in the mid ’70s, and still lasts in these days. The Collector’s Edition features 91 stops, 77 fully functional stops from the already enormous instrument, 1 shared stop and 13 virtually created stops for increased utility and playability. The original stops include 2 Bombarde 32′ and 5 Spanish Trumpet stops.

Besides its photo-realistic modeled, extended and full-featured console, the Esztergom Pipe Organ Collector’s Edition supports the Dynamic KeyboardMass™ control to provide a realistic playing experience. The Collector’s Edition sample set ships with single loops and stereo sound.

The virtual Esztergom Pipe Organ financially supports the original instrument.

Youtube Links:

https://www.youtube.com/watch?v=8qLXgBn1R5E

https://www.youtube.com/watch?v=X9gjCdPltXg

https://www.youtube.com/watch?v=zOzPsbyLYyE

https://www.youtube.com/watch?v=De-8MiLGE20

Achtung ! die älteren PAB Version sind ab sofort nicht mehr erhältlich.

Es gibt nur noch die deutlich verbesserten 3.0 Versionen von PAB Samplesets.

Gravissimo Edition 3.0 – Download (PAB)
download 80 GB | 1 computer
1.499,00 €

ADDITIONAL STOPS OF THE GRAVISSIMO EDITION

In addition to the original 92 stops, the Gravissimo Edition contains 57 stop switches, as listed below, making the organ a 149-stop virtual instrument. These additional stops play either extended ranks or in a few cases already existing ones from a different division. Extended ranks are made using about 1300 additional note samples, so a significant number of new notes are accessible from these stops. Some stops, such as the Chamade 32′ listed in the Chamade, Pedal and the Grande orgue divisions, are identical, and provided for flexibility and convenience.

Pedal	Grande orgue (I)	Positif expressif (II)
Gravissimo 64′	Montre 32′	Principal 16′
Principal 32′	Principal 16′	Unda maris 16′
Violon 32′	Bourdon 16′	Piccolo 1/2′
Mixtur IV 5 1/3′	Praestant 8′	Basson 32′
Bombarde 64′	Principal 1′	Trompette 16′
Basson 32′	Trompete 32′	Trompette 4′
Trompete 16′	Trumpet 8′
Basson 8′	Basson 8′
Tuba mir. 16′	Tuba mir. 16′
Tuba mir. 8′	Tuba mir. 8′
Tuba mir. 4′	Tuba mir. 4′
Chamade 32′	Chamade 32′
Chamade 16′	Chamade 16′
Chamade 8′	Chamade 8′
Bajoncillo 8′	Bajoncillo 8′
Chamade 4′	Chamade 4′
Quint Bombarde 21 1/3′	Chamade 5 1/3′
Quint Bombarde 10 2/3′	Tuba mirabilis 5 1/3′

Récit expressif (III)	Solo (IV)	Chamaden (V)
Violon 32′	Principale 16′	Chamade 32′
Geigenprinc. 16′	Principale 4′	Bajoncillo 8′
Gamba 16′	Principal 2′	Chamade 5 1/3′
Bombarde 32′	Flûte 1′
Tromp.harm. 16′	Tuba mir. 16′
Hautbois 4′	Tuba mir. 4′
	(Tremulant IV)
	(IV+V m

SPECIFICATION OF THE PAB ORGAN

PAB Professional and Gravissimo Editions contain all stops and couplers of the 2006 Pécsi-Mühleisen organ. Its complete disposition (stoplist) is as follows:

Pedal (C-g‘)	I. Manual, Grande orgue (C-c““)	II. Manual, Positif expressif (C-c““)
Majorbass 32′	Montre 16′	Quintatön 16′
Soubasse 32′	Principal 8′	Principal 8′
Principalbass 16′	Flute harmonique 8′	Cor de nuit 8′
Contrebasse 16′	Gamba 8′	Unda maris 8′
Violon 16′	Bourdon 8′	Salicional 8′
Soubasse 16′	Praestant 4′	Flute traversiere 8′
Grossquinte 10 2/3′	Rohrflöte 4′	Praestant 4′
Octavbass 8′	Quinte 2 2/3′	Flute conique 4′
Gedäckt 8′	Superoctave 2′	Quinte 2 2/3′
Cello 8′	Cornet 2-5x 8′	Doublette 2′
Octave 4′	Mixtur 5-7x 2 2/3′	Terz 1 3/5′
Tibia 4′	Cimbel 4-5x 1 1/3′	Larigot 11/3′
Tercsept 2x: 6 2/5′	Trompete 16′	Piccolo 1′
Zinck 3x: 5 1/3′	Trompete 8′	Mixtur 4-6x 2′
Compensum 7x 2 2/3′	Trompete 4′	Septnon 2x 8/9′ + 1 1/7′
Mixtur 4x 2 2/3′	I+IV m.	Basson 16′
Bombarde 32′	I+IV e. (Solo to G.O.)	Dulzian 16′
Bombarde 16′	I+III m.	Trompette 8′
Basson 16′	I+III e. (Réc. to G.O.)	Cromorne 8′
Trompete 8′	I+II m.	Clarinette 8′
Clairon 4′	I+II e. (Pos. to G.O.)	Tremulant II.
P+IV m.		II+III m.
P+III m.		II+III e. (Réc. to Pos.)
P+II m.		II+IV m.
P+I m.		II+IV e. (Solo to Pos.)

III. Manual, Récit expressif (C-c““)	IV. Manual, Solo (C-c““)	V. Manual, Chamaden (C-c““)
Violon 16′	Rohrbourdon 16′	Chamade 16′
Gedeckt 16′	Principale 8′	Chamade 8′
Geigenprincipal 8′	Konzertflöte 8′	Chamade 4′
Flute harmonique 8′	Voce humana 8′	IV+V (Cham. to Solo)
Gamba 8′	Nasard 5 1/3′	III+V (Cham. to Réc.)
Voix céleste 8′	Octave 4′	II+V (Cham. to Pos.)
Aeoline 8′	Tierce 1 3/5′	I+V (Cham. to G.O.)
Bourdon a cheminée 8′	Septieme 2 2/7′	P+V (Cham. to Ped.)
Violine 4′	Flute 2′	IV+IV 4′ (Solo to Solo, 4′)
Flute octaviante 4′	Sesquialtera 2 2/3′ + 1 3/5′	IV+IV 16′ (Solo to Solo, 16′)
Nasard 2 2/3′	Plein jeu 3-5x 2 2/3′	III+III 4′ (Réc. to Réc, 4′)
Octavin 2′	Cor anglais 8′	III+III 16′ (Réc. to Réc, 16′)
Tierce 1 3/5′	Tuba mirabilis 8′	II+III 4′ (Réc. to Pos. 4′)
Progressio 2-4x 2′	Walze	II+III 16′ (Réc. to Pos. 16′)
Cymbale 4x 1′	Koppeln aus Walze	I+IV 4′ (Solo to G.O. 4′)
Bombarde 16′	Mixturen aus Walze	I+IV 16′ (Solo to G.O. 16′)
Basson-Hautbois 8′	Zungen aus Walze	I+III 4′ (Réc to G.O. 16′)
Trompette harmonique 8′	P+IV e. (Solo to Ped.)	I+III 16′ (Réc. to G.O. 16′)
Voix humaine 8′	P+III e. (Réc. to Ped.)	I+II 4′ (Pos. to G.O. 4′)
Clairon harmonique 4′	P+II e. (Pos. to Ped.)	I+II 16′ (Pos. to G.O. 16′)
Tremulant III.	P+I e. (G.O. to Ped.)	P+IV 4′ (Solo to Ped. 4′)
III+IV m.		P+III 4′ (Réc. to Ped. 4′)
III+IV e. (Solo to Réc.)

PAB Professional Edition 3.0
download 35 GB | 1 computer
999,00 €

Medium Edition 3.0 – Download (PAB)
concert hall and cathedral acoustics
download 32 GB | 1 computer
549,00 €

PAB Essential Edition – Personal License

Essential Edition – Download (PAB)
download 6 GB | 1 computer
225,00 €

Small Edition – Download (PAB)
download 9 GB | 1 computer
149,00 €

Palace of Arts Budapest (PAB) Pipe Organ Samples is a fully playable, freely configurable, intuitively manageable and MIDI-controllable virtual pipe organ, delivering the authentic sound of the 92-stop Pécsi-Mühleisen pipe organ of the Béla Bartók National Concert Hall of the Palace of Arts, Budapest, Hungary, to your computer.

Designed for operation within Hauptwerk™ software, on both PC and Macintosh computers, Palace of Arts Budapest Pipe Organ Samples sets a new standard in virtual pipe organs used by leading organists, professional musicians, professors and tutors, educational, worship and culture institutions, recording professionals and enthusiasts.

Despite its immense size and capabilities, it is a pipe organ you can play and take with you wherever you go, offering unprecedented flexibility and sound quality never heard before in a virtual instrument.

Youtube Links:

https://www.youtube.com/watch?v=_MfASFTw6SA

https://www.youtube.com/watch?v=2Wb4ma0sbkA

https://www.youtube.com/watch?v=EnhqjUxFtnI

https://www.youtube.com/watch?v=fucvqAinMaU

https://www.youtube.com/watch?v=CI-FqzXWhIg

https://www.youtube.com/watch?v=xdeQEaQePxE

https://www.youtube.com/watch?v=l-2WtzM4Sww